| Artful
in autumn Sometimes I 'make' pictures that tell a
story for this Diary. I don't 'invent' them, I'm the kind of
photographer that says 'hey that looks lovely in this light'
and I get my camera. Setting up a shot to tell a story and
being able to control its elements is closer to 'commercial'
photography and I don't think I'm that good at it. The
images in this Another Country Diary are more like
réportage. I see something in
the world around me and I've learned how to capture it
reasonably well. But if
the position of one object could be improved so that it
looks better or the composition works nicer if it's moved a bit,
I'll do a quick Photoshop retouch. I don't feel that I'm
falsifying the truth in the reportage, in fact I feel I'm
improving it, making up for the fact that I didn't hit the
release at the 'decisive moment'. Sometimes it's a simple as
I'm technically unable to get the image that I want.
An example where you can see immediately what I mean is
the 'bloody fingers and cockatoo' photograph that I wrote
about
here. The depth of focus didn't allow me to have my
'bitten' hand and the 'biter', the cockatoo, both sharp. So
I combined two shots. Most people say 'the blood looks fake'
not that the image looks fake. It's not, it's just that
there's a gap in time of about ten seconds between the two
images, and the composite has collapsed that time gap to
tell the story.
Doing things that are 'artful' is important and supported
much more in some cultures than others. It is why we try and
create our living spaces in an attractive way, redecorating,
rebuilding to capture some moment in that space that makes
us feel good, peaceful, happy or 'recharged'. It's why as
gardeners we fight the weeds and seasons to make gardens
that flower for a short time looking beautiful and then just
as quickly look dead and untidy.
I don't do much about creating my living spaces to look
attractive, but I appreciate architects that do. Recognising
the beauty that is already there isn't that hard however,
which is why I've always lived in old houses that have that character
already. And it's why I enjoy living in the country. The
natural world is always 'artful' and sometimes it sits still
long enough to let my photograph it, so that I can show
others why I think it is attractive.
Which brings me to the pomegranates and sitting them in the
fake sandstone bird bath because I ignored my mantra 'Never
go down to the garden in harvest time without a pocket knife
and a plastic bag'. As soon as I did it, I realised I had to
get my camera and photograph them. The light, the
fruit and the roughness of the tacky bird bath all looked
right. Artful.
Pomegranates.
Punica granatum. They are believed to have originated
in Iran where they still grow wild. The fruit grows on a
hardy, long living small tree, that depending on your
winter climate stays green or will lose their leaves. In
Bungendore, they turn bright yellow and fall quickly when
the nights drop below 10C degrees. Alan Davidson's Oxford
Companion to Food says the fruit was well known in
ancient Egypt and that when Moses was leading the Israelites
to the Promised Land, he had to reassure them that they'd
find there the refreshing fruit they'd left behind. Homer
mentions it so the ancient Greeks knew of the fruit, and the
Romans seem to have discovered it via Carthage in North
Africa. Carthage was called Punis in Roman times so the
fruit became mala punica the 'apple Carthaginian'.
The species name granatum, (and also the Spanish
Granada) and the name pomegranate, refer to its
many 'grains' or seeds. If you've ever eaten a handful of
the seeds you'll appreciate the dilemma of whether, after
eating the soft scented pulp, you should swallow the seeds
or spit them out. Davidson points out that this is a problem
going back to classical legend.
"Persephone, daughter of Demeter the
goddess of fruit and fertility, was carried off to the
underworld by its god Hades (Pluto). Demeter, in her efforts
to force her daughter's release, prevented earthly plants
from bearing fruit (thus creating winter, a formerly unknown
phenomenon).
Persephone for her part, vowed not to
eat while in Pluto's kingdom, but eventually succumbed and
ate a pomegranate. She spat out all the seeds but for six,
which she swallowed. When Pluto finally gave in to Demeter,
he was allowed to keep Persephone for six months of every
year because of those seeds, and this is supposed to be the
alternation between winter and summer."
Spanish sailors took the fruit on voyages because its tough
skin helped it travel well and it became established in
southern USA and in California in the 18th Century. It
traveled to Asia and is mentioned in India and China around
the first century AD. Although its seeds are spread by
birds it doesn't grow true by seed, and cuttings are the
most reliable way to propagate it.
If you get a good large pomegranate it makes collecting the
seeds easier and worthwhile (slit the skin, and scoop the
fleshy seeds out with a spoon leaving the white membrane
between, which is bitter). If you just want the juice, you
can microwave them briefly, roll the fruit hard to crush it
and the juice will flow out easily. Commercial concentrated
pomegranate juice is called grenadine.
They're a sensuous and extravagant fruit, the source
of lots of other legends but if you are eating the fruit
uncooked, remember Persephone and spit.
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The bird bath had been
bought as a Christmas present for Jan's dad, to be a
replacement for a recently broken one. We wrapped and lugged
it down to Melbourne and then found that Jan's sister had
already bought him one, much nicer and more tasteful. We ran
out and bought another present, and it came home to live in
the back garden. It is filled only when we have a hose in
hand, which is not often because we've set up a good drip
and spray irrigation system for the vegetables. So it's
mostly dry. Sorry birds.
... a land of brooks of water, of fountains
and depths that spring out of valleys and hills;
A land of wheat, and barley and vines, and fig trees, and
pomegranates; a land of oil olive and honey;
Deuteronomy 8,7-8.
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